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Sketch Your Next Novel Our Way; Get Started in One Day
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Good Spiraling: Conscientiously Add Ideation and Feedback to Write Better Novels
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Once Upon a Time? What Fairy Tales Teach Novelists About Memory and Writing
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Part 3: Mastering the 100,000-Word Novel Budget: Multivalue Paragraphs
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Isolation's Impact: Evidence that Authors Misjudge Their Work
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Unlocking Story Sense: The Differentiator Between Good and Great Authors
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Creation vs. Generation: Drawing a Non-technical Red Line Between Human Authorship and AI
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The Art of Orientation: Anchoring Your Reader at Every Chapter Break
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Stop Writing in a Straight Line: The Power of Nonlinear Novel Development
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The Waiter Problem: Why Authors Need True Product Testing
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Create Authentic, Investable Characters: A Free Comprehensive Online Developer
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How to Crystallize Your Novelâs Narrative: The 4 Stages of the Minimum Complete Story
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The 9-Sentence Novel: How to Build a Minimum Complete Story (MCS)
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Our Minimum Complete Story (MCS): Better Novels in 90 Seconds
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Example Character: Meet Pat the Firefighter
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Character Recipe Step 2: Blend Your Equation Ingredients to Relatable Beings
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Character Equation Three: Steal Distinctiveness from Referents You Know
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Turn Readers into Superfans: Build Two-Way Connections
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Character Equation Two: Take Advantage of Readers' Cultural Knowledge
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Character Equation One: Steal Parts of Yourself For A Publishable Character
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The Publishability Indexâ˘: A Checklist for Your Story
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What's Your Writer Persona? Message Morgan
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What's Your Writer Persona? Grandiose Gary
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What's Your Writer Persona? Motivation Max
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What's Your Writer Persona? Learning Logan
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Bardsy's MCS: A Small Story That Makes a Big Difference
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How to Hook Your Readers (and Keep Them) via Commonality
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Stories, Sweat, and Tears: 6 Tips for Writers Dealing with Rejection
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Effectively Using Beta Readers in 2025
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Have Something to Show for Your Summer
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Thanks, but No Thanks: When Your Writing Gets Rejected
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Winning Revisions: Making Writing Feedback Work for You
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Collecting Writing Feedback You Can Actually Use
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Is My First Chapter a Winner?
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Social Media for Authors: A Marketing Mindset
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But I Don't Want to be an Influencer . . . Social Media for Authors
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What's Your Writer Persona? Hobbyist Hayden + Career Cary
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Planning Your Success: We're Here to Help!
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Fear Not ChatGPT: Only Humans Can Judge Writing Contests (And Stories)
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Bardsy's 2024 Anthology Contest
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How to Prototype Your Novel and Ensure Coherence via Short Stories
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The Art of Memoir: Exploring the Intersection of Truth and Storytelling
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Decisions, Decisions: Choosing a Writing Conference & Maximizing Your Time
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Writing Conferences: A Writerâs Paradise or a Wasted Weekend?
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What Makes a First Chapter Anthology Contest Finalist??
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What Anthology Publication Can Do for You
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Your Guide to Enteringâand WinningâWriting Contests
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How Great Writing Workshops Work
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The Best Feedback You Will Ever Receive
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Writing Personas: Ready Riley!
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Yes, You Need an Author WebsiteâEven If Youâre Unpublished
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Small Steps to Big Success with Bardsy Anthologies
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Youâll Love Writing with Will.Power
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Submit Early for Success
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Determine the Next Step in Your Writing
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Avoid Instant Disqualification
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Give and Ye Shall Receive
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Turn Your Short Story Into a Novel
Feedback is the breakfast of champions.
â Ken Blanchard
Now that the finalists for our latest contest have been announced and our 2021 Holiday Anthology is available, our reading period is in full swing. Itâs the most wonderful time of the year - our contest cycle, as the case may be! For the next few days, the Bardsy community will come together to enjoy the finalistsâ stories and share their thoughts by exchanging kind, constructive feedback.
Wholly appropriate to our theme for the anthology: âAn Exchange of Giftsâ, hereâs why you should participate in the feedback cycle, regardless of whether you entered or placed in this contest.
One of our subscribers said it best: âIn a writer community, I see it as give-and-take. If I were to seek feedback without [expecting] to offer the same, I would expect to pay for the service instead.â
That's right, Virginia. In a community like ours, constructive critiques work best as exchanges, rather than being one-sided.
In our latest poll, we asked members whether feedback should be reciprocal. Unsurprisingly, hereâs how they responded.
For those seeking feedback on their work, do you also give feedback to others?
Yes, I also give feedback: 79%
Iâm not seeking feedback: 12%
No, I'm only looking to receive feedback: 9%
It would be impossible to achieve your writerly best without feedback. How else would you know how your work resonates with others (unless you are, of course, just writing for yourself), and what you can improve upon?
If you didn't quite make our contest's finalist list, this is your next step.
Youâve heard the adage, âIt is better to give than to receive.â Letâs change that up a bit. It is just as valuable to give as to receive, if you do it right. The very act of evaluating a story, of thinking about and articulating whatâs working well and what isnât, nurtures your own writing skills too.
â
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When we discuss stories, we open ourselves up to a variety of perspectives⌠That is one of the greatest gifts of storytelling.
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When we discuss stories, we open ourselves up to a variety of perspectives⌠That is one of the greatest gifts of storytelling.
â from our Story Talk course
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How? If you train your critical eye to identify the strengths and weaknesses in another writerâs work, you will internalize these lessons and utilize them in your own writing. That doesnât negate the need for outside perspectives, but it makes you a stronger writer.
In the spirit of the season, Iâll suggest one additional benefit of story critique that transcends the physical act of putting words on paper. When we communicate our unique perspectives, and listen to those of others, we donât just grow as creators; we grow as human beings. And that, my Bardsy friends, is a gift that keeps on giving!
How to give effective feedback
Maybe you want to offer more constructive comments, but youâre unsure what to say. Another poll respondent said they donât critique othersâ work because they âdonât know how to give feedback that's as good as the feedback [they] have received.â
First, what constitutes âgoodâ? While there is thoughtless feedback, poorly communicated feedback, and gratuitously cruel feedback (which will get you kicked off our site lickety-split!) there is no right way to look at and discuss stories.
When I taught middle school, high school, and even university level English, so many students asked, âWhat are you looking for?â or âWhatâs the right answer?â Well, thank goodness we arenât in school now, with the ghosts of past standardized tests nipping at our heels (but thatâs a story for another day!)
The bottom line is that you are entitled to interpret and respond to any story exactly as you wish. Just be thoughtful, and back up your feedback with specifics, when talking with other writers. The point is not to annihilate with witty (or not so witty) barbs, but to share and learn from each other. If you want to grandstand (you know who you are!) please go elsewhere. This is not the site for you.
In my self-paced Story Talk course, free to all members, we explore the unique and exciting dynamics between the writer and reader of any piece of literature. Letâs borrow a few handy guidelines from Story Talk that might be helpful for providing âbetterâ feedback.
1. Capture your first impression.
You can only have a first impression once. Whether the writer pulled off a clever twist ending or left you wanting more, record your initial perception of the story as soon as you finish reading it. Rather than trying to structure your thoughts, filter them or make much sense of them, treat this like a free write.
2. Identify the five elements of storytelling.
Start looking more closely at character, world, plot, conflict and theme. Which elements work well? Which don't? Why? Then take it a step further: how do they work together? For example, think about whether you feel you know the characters well enough, and whether they fit into the chosen world. By identifying the elements, you can often pinpoint specific strengths and weaknesses within a story.
3. Be as specific as possible.
âI liked your main character.â âI wasnât a fan of the ending.â Responses like this are not very helpful to the writer. What about the main character stood out to you? Their intriguing backstory? Their powerful motivation? Maybe the ending was unsatisfying because it left too many loose ends or tied everything up a little too neatly. Get to the heart of your reactions.
4. Above all, keep it respectful.
Critique. Don't criticize.
â Adrienne Posey
Most importantly, when sharing your thoughts, itâs important to be kind to the author and anyone else involved in the discussion. Since every story has its own strengths, start by letting the author know what you appreciated.
Especially if youâve never given writing feedback before, I encourage you to check out my Story Talk course for a comprehensive guide to creating the kind of critique you would be thankful to receive.
Additionally, in the new year we will debut a new Publish-ability Index, aka rubric, that will further enhance your ability to provide effective feedback, by outlining exactly what to look for. Stay tuned!
Finally, just in case you needed one more reason to participate in our reading period, we take your comments into consideration when selecting a winner. Where else can you have a say in the big decision?
I hope you enjoy the finalistsâ stories as much as we have. The winner of our Holiday Anthology contest will be announced on or about 12/27.
Try this: Write a few lines about two characters who meet while voicing their (very different) opinions on a holiday light display.