DESCRIPTION
Exercises
|
|
Identifiable and plausible actors, human or not |
|
Authentic characters who come to imagined life | |
BACKSTORY
Exercises
|
|
Main characters with pasts that inform their identities |
|
Relevant histories that spur individual change and action | |
AGENCY
Exercises
|
|
Characters who manifest through thoughts and choices |
|
Clear, cumulative character development |
PHYSICALITY
Exercises
|
|
Descriptive details that create a complete setting |
|
A world that readers can imagine being within | |
CULTURE
Exercises
|
|
A defined society |
|
A social environment with key features fully realized | |
CONTINUITY
Exercises
|
|
No unintended anomalies |
|
Intentional inconsistencies that enrich the setting |
GOAL-STAKE
Exercises
|
|
Discernible motivations for all actions |
|
Friction that steadily intensifies stakes | |
OPPOSITION
Exercises
|
|
Obstacles that impede goals |
|
Situations that make discord inevitable |
CLARITY
Exercises
|
|
Some recognizable message |
|
An organic, overarching message | |
RELEVANCE
Exercises
|
|
A relatable message |
|
A profound impact |
INCITING
Exercises
|
|
A specific incident that tees up events |
|
An initial event that sets expectations and creates momentum | |
RISING
Exercises
|
|
A logical sequence of events tied to an advancing narrative |
|
Compounding events that compel engagement | |
CLIMAX
Exercises
|
|
An obvious emotional peak |
|
A culmination of tension realized in a defining moment | |
FALLING
Exercises
|
|
No unintended loose ends |
|
A managed moment that allows readers to recover | |
RESOLUTION
Exercises
|
|
A clear ending, whether open or closed |
|
A satisfying and impactful conclusion |
EXPRESSION
Exercises
|
|
Apt word choice and syntax |
|
Stimulating vocabulary and phrasing | |
VOICE
Exercises
|
|
A consistent style |
|
A distinctive, evocative style | |
MECHANICS
Exercises
|
|
No mistakes in grammar, punctuation, etc. |
|
Purposeful and impactful construction throughout |
ENVIRONMENT
Exercises
|
|
Characters who fit world and vice versa |
|
A synergistic interaction between characters and world | |
VERACITY
Exercises
|
|
A solid connection between conflict and theme |
|
Conflict and theme locked into a mutually reinforcing spiral | |
INTEGRATION
Exercises
|
|
No incompatibility between elements |
|
A productive orchestration of all elements | |
DYNAMICS
Exercises
|
|
No unintended discontinuities between events |
|
Unfolding events that exert a magnetic push or pull | |
RESONANCE
Exercises
|
|
Events that correspond with conflict and theme |
|
Sufficient impetus from events to deliver a powerful message |
SUMMARY / NOTES
Self Evaluation
(Updated Dec 05, 2024)
2157
Show element(s):
All
Character
World
Conflict
Theme
Plot
Language
Cohesion
A GOOD STORY HAS: | A GREAT STORY ALSO HAS: |
CLICK A TAB TO USE WILL.POWER
TO DO LIST:
Add tasks to your sortable list, then revel in checking them off.
SCRATCHPAD:
Cache your gems as they fall in this always accessible place.
PRIVATE JOURNAL:
Reflect on your process — good, bad and ugly — in your dated diary.
TRACKING:
Measure your progress with key writing metrics, automatically,
TO DO LIST:
Add tasks to your sortable list, then revel in checking them off.
SCRATCHPAD:
Cache your gems as they fall in this always accessible place.
PRIVATE JOURNAL:
Reflect on your process — good, bad and ugly — in your dated diary.
TRACKING:
Measure your progress with key writing metrics, automatically,
ADD DO
Show Dones
Metric:
ADD
Words
Minutes
Click anywhere to close